![]() By plucking the string and pressing different keys on the piano we will try to find the current frequency of the string, and when we find it we will understand whether the string needs to be tuned up or down to reach the desired pitch A. Once we have found A, it is necessary to determine at what pitch the string is currently. “A” will always be the white key between the second and third black key in the group of three black keys. If we look at the keyboard, we will notice a pattern that repeats itself when it comes to black keys – two black keys, a small space, and then three black keys. Most pianos will be tuned to that frequency and you first need to find the tones you need on the piano (most applications will tell you which tone you are pressing on the keyboard).įor example, if we start by tuning the A string, we will first find the A key on the piano. The frequency that is the standard for tuning modern classical instruments is 440 Hz. You can apply this technique if you have a piano nearby, but it is also possible to find virtual keyboards on the Internet. Listening is especially important when playing the cello because the intonation is based on listening carefully and reacting to what we hear. The first technique for tuning with a piano is more difficult, but it will also significantly speed up the process of learning to listen. If you let the bridge move, you will need the help of someone more experienced. The important thing is not to release all the strings at once if you need to tune or replace some strings as this can easily lead to moving the bridge. ![]() If all of the strings are out of tune, it is good to start tuning gradually, which means that you will only get close to the desired tone and then continue tuning the next string – this way we will stabilize all the pegs, and in the second round we can further tune the strings and finish the whole process with fine turners. If we perform minor tuning we will start from the string with the highest frequency and we will tune all lower strings after it, but if the instrument is significantly out of tune, we will start from the lowest C string. ![]() Here are some general rules related to tuning If the instrument needs tuning over pegs, it is always good to release the fine tuners beforehand, so that we have room for additional tuning afterward. We use them by turning them clockwise if we want a higher tone and counterclockwise if we want a lower tone. In addition to pegs, we also use fine tuners on the tailpiece for tuning. Again, all these movements should be gradual.įinding the right measure and feeling takes time and you will most likely tune it several times because having unwinding strings is a completely normal process when learning. It is important to rotate the pegs slowly and gradually, to avoid potentially breaking the string, which can happen if we tune the string to a much higher frequency than we need.Īnother key thing is that the peg needs to be pushed slightly towards the box as we turn it because that way we will avoid unwinding the string, which can happen if the pin is not pushed enough into the box. We use tuning over pegs when the instrument is out of tune and we use them by turning them to one side or the other, depending on whether we need a higher or lower tone. Which string is on which peg you will easily determine by following the path of that string. Pegs are four wooden elements at the very top of the cello and strings are wound on them. That is done using tuning pegs and fine tuners. The point of tuning is to bring the pitch to the correct frequency. The thickness of these four strings is different, and in such a way that the lower frequencies are on the thicker strings – so that the arrangement of the strings is A D G C (from the thinnest to the thickest). As you probably know, the cello has four strings and they are tuned in the interval of perfect fifths (every two adjacent strings).
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |